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  • A Holiday Queen (The Scottish Sequence, #3)

    (By Elsie J. Oxenham)

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    Author Elsie J. Oxenham
    “Book Descriptions: Oxenham is best known for her Abbey Series of 38 titles which chart the lives of the main characters from their mid-teens until their daughters reach a similar age. The Hamlet Club, formed in the first book in the series Girls of the Hamlet Club, was set up to combat snobbery in the school. Underlying the club’s overt activities of folk-dancing and rambles was its motto 'To be or not to be', and its badge, the Whiteleaf Cross. These were both symbols of deeper meanings. The motto, deliberately using a quote from the Shakespeare play Hamlet, is taken to mean to make the right choice, usually duty above self-interest, when it arises. Throughout the Abbey Series the various main characters come up against this choice and its consequences, and are shown growing and maturing through making difficult decisions. The badge, taken from a landmark local to the area in which the series is set, is also symbolic as is any cross of sacrifice. The Abbey of the series is almost a character in itself. Based on Cleeve Abbey in Somerset, it first appears as a romantic ruin in the second of the series The Abbey Girls. By the end of this book, the cousins Joan and Joy Shirley are living in Abinger Hall, in the gardens of which the Abbey is situated. Joy has been discovered to be the granddaughter of the late owner, Sir Antony Abinger, and the Hall is left to her, but Joan, who was not related to Sir Antony, has been left the Abbey "Because of [her] love for it, and because [her] knowledge of it was so thorough." The Abbey and its influence pervades the whole series. Characters try to live up to the precepts of the early Cistercian monks who lived there, and even when facing difficult situations abroad, find that the Abbey ethos helps them find the way through to the right decision. Oxenham depicted herself directly and indirectly in several places within the Abbey series. As "The Writing Person" she is depicting herself as she was in the early 1920s, over 40 years of age and going to the folk dance classes run by the English Folk Dance Society in London. Once Mary-Dorothy Devine, first introduced in The Abbey Girls Again, becomes a writer, statements she makes about the writing experience must logically be those of Oxenham herself. She talks of "finding" the books, and of "listening in to [her own] private wireless".”

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